Hotter Than Judy


That's what I call the piece to the new Screw Comics! 4 cover. That's right, it's here! Inspired by one of my favorite album covers from one of my favorite music artists, I set out to make a piece that is equally gripping and dramatic as this:

It's certainly an image that has stayed in my mind since I saw it as a kid. I'm not sure how the idea came to me, but keeping with the story that's set in a scorching hot level of earth I found it fitting. And how the shape the of her hood flowing off her head could be like the shape of Stevie's braids, how could I not try it out?

Having the cover finished is a big step. Once you have that the rest of the book layout really falls together. Right now I'm in the proofing process, going thru and rereading the text, editing, and making sure the art is stable within the boundaries of the pages. 

Heavy Duty Judy is back in this issue and it's gonna be a scorcher. Not sure who that is best to pick up issue 3, or pick up all 3 of the last issues here. I'll throw up presales once I send this to the printer and get a proof in hand. Yikes! It's coming together!


3 Piece and a Biscuit


In a last ditch effort to promote the old books before the new one drops I've created the Screw Comics! Trilogy set for sale in the store. Order all books for $25 + shipping starting today. Now you don't have to choose between this one of that one, just snatch up all 3 at the price I sell them at tabling events and shows. Do it now!


Couch Lock


Here's a piece I did that debuted earlier this month. There's an account on Insta and FB called Photos y Recuerdos and it's a special profile project that showcases the stories of Texas Latinas and Latina-identifying people. Started over lock-down last year it is headed up by my wife and her colleague as a way to publicize the stories and triumphs of Latinas with ties to Texas. 

So far the reception has been warm and positive with the readership steady growing and more and more submissions coming in. My wife commissioned me to create a piece that encompasses a wide spectrum of the representation they cover. For this she gave me a prompt; all the characters on a couch going through a photo album. I had free reign on the characters I could include, and since Latinas come in every shade, shape and fashion that left it wide open. 

Although my wife had to keep me on task to finish this piece, the project commissioners found the end result to be more than satisfactory. In other words, they love it. As do I. I tend to get a bit self-conscious when I do work for family but after I started the coloring process I really started to feel it.

Next up we have to choose a font and prepare the image for merch. Follow the profile on FB and INSTAGRAM, submit if you have a story about the Tejana in your life, share, and when the merch goes up please support!


Get Mega

This past New Year I had the pleasure of building a special custom shelving unit I've been planning for months, with the idea for it cooking in my head for over a year. It's a very special shelf tailored to my needs for storage designed to hold all of my archival flat-work, comic pages, illustrations, etc. as well as storage for the multitude of sketchbooks I've piled up over the years, all while making them accessible as needed. Enter project code-named Mega Desk.
While I've built functional pieces of furniture to work in the studio, this became my most ambitious project yet. It starts with an idea which takes shape as a sketch, but it doesn't get real until you pull out the tape measure and start recording dimensions in space. With the base idea cooking in my head for over a year I already knew it what I needed this piece to do. Then you tack on additional 'What I'd Like It To Do' functions, such as the pull-out shelf idea. Ambitious indeed.

After a basic sketch depicting the final dimensions it needs to be, and settling on the wood thickness (¾" plywood is pretty sturdy) it's time to break it down and have every inch accounted for. I turned to the software Corel Draw to work out the plans, and I did it to full scale. That's right, in the sketch where it says the piece is 48" wide I drew a 48" wide shape in the document. It sounds like it would make the document excessive, but thanks to the miracle of vector art the final PDF plans were less than a megabyte. And seriously, drawing it to scale meant every inch was accounted for and calculated into the plans, including the minuscule space for the drawer slides. It had to be if this thing was gonna fit together as it does.

While the plans looked normal when printed when you zoomed into the PDF file you can see all the numbers for the dimensions and woodcuts. In fact, during the cutting process I double checked the PDF a few times just to be sure.

Accurate measurements meant I could place the holes for cables and ventilation exactly where they need to be. 
After the design was settled on, the next part was to layout out every single cut to know exactly how much wood would be needed. Understanding that plywood comes in 4' x 8' sheets I simply Tetris'd every wood shape needed filling up 3 plywood sheets worth of wood with a handy amount to spare. Next, it was time to pick out the wood.

During lunch on a Friday I headed over to Houston Hardwoods on 34th in Houston where they have all sorts of plywood in all types of prices and finishes. After browsing around for a few minutes I found the thickness and finish I wanted, a nice Birch. While three 4' x 8' sheets wouldn't fit in the 4Runner intact the place was happy to cut them down into smaller halves to get them home. And because I had the cut plans with me we were able to halve them in places where it wouldn't interfere with the planned cuts.

The next day it was time to cut these 6 sheets down. A few months back, anticipating this project as well as other projects I want to do around the house, I ordered a circular saw. Upon reading the subpar  reviews for the stock blade it came with I ordered an aftermarket blade which made it a game changer before I even knew the game. Let's just say the cutting was like a hot knife running thru butter and when I was finished no sanding on the edges was needed. It was that smooth.
Seriously, I had no chipped or splintered edges. Everything got chopped pristine. As I chopped each piece I kept a some masking tape and a magic marker handy to label each piece which made assemblage a whole lot easier.
After the cuts came the drilling of the vent/cable holes.

Assemblage of the pull-out drawer.

Followed by the general assemblage. That Sunday night I was able to put the wheels on it so we could get it inside.

Measuring the shelves on the right side. These weren't a strict size like the left side so I did multiple measurements and drilling so the shelves can be adjusted as needed with removable pegs.

The left side shelves, however, have a very specific purpose, holding flat comic pages, and are sized accordingly. Each shelve had to have certain dimensions inside and are permanently bolted it.

Next came the installation of the pull-out shelf, which actually turned out to be the easiest thing to do in the whole project. A spare piece of wood was used to set each slide at a uniform height on each side, then drilled. That same piece was then laid flat on the center surface as I sat the drawer in on top, giving the drawer the proper clearance underneath. After that I just lined up the slides to the drawer drilling each one as I gradually slid the drawer out. Viola!

Finally came the crowning top. At first I wasn't sure if I wanted to go with tempered glass or clear plexiglass. After shopping around online I decided to go with the plexi on account of it'll be easier to install and the chances are much lower that it will shatter on me, for any reason. And to lessen any possibility of warping or sagging I matched the thickness of the plastic with the thickness of  the wood. 

After a 10 minute search I found a local plastic manufacturer that could produce the dimensions I requested and that also turned out to be the most affordable quote. The turnaround was 5 days.

A bracket in each corner followed by a quick drill pass in each of those corners created a way to fasten this thing down via bolts, screws and washers. Inspired by many clear and frosted-topped desks and how they focused light coming up from the bottom I purchased an LED strip kit to wire up along the edge underneath to create an ambiance and give it a modern feel. The strip can produce all sorts of colors and is wired up via USB, which powers up with one of the towers down there. I also like how if I ever need a light-box all I have to do is place a tiny light face up and trace away.

Ultimately, the pull-out shelf is to house a turntable and large format scanner. I already had a turntable stashed away in the stacks of junk this shelf helped replace. After ordering a new stylus and a pre-amp I'm able to play my favorite records right here in the studio, as well as record those records either for archiving or sampling purposes. The scanner, of course, is for scanning flat work to use digitally and for archiving. So not only does this furniture piece provide me with organization of existing work, but it makes it easy for me to keep organized, to stay on top of archiving work and filing it away.

This shelf consolidated so much space that was being taken up by cumbersome, unsightly boxes and various other dollar store bins and shelves it has literally changed the energy of the studio. As I was sorting, organizing and filling this thing up I felt myself become lighter, my mind less cluttered. Indeed, I feel like since I've been able to put stuff away in a permanent place it's become a finality, a closure of sorts for work spanning the last 12 years which is a very big deal, folks. There are few things worse for a creative mind than stifling your workspace with old work that just continues to pile up. You don't feel like you're progressing being constantly reminded of things you drew half a decade ago. You have to get rid of it or find a way to store it out of sight, otherwise you'll feel stuck!

And there you have it, how I created a custom piece of studio furniture and how it changed the work flow in the studio for the better. Now for a quick run down of what this this cost to build:

Plywood - ¾" Birch 4' x 8': $57 a sheet x 3 sheets = $171

Custom Cut Clear Plexiglass ¾" 20" x 48" = $200

LED Light Strip = $10

USB Switch for the LED lights = $6.89

Clear Caster Wheels = $25

Heavy Duty Drawer Slides = $20

Various hardware including wood screws, L brackets, pegs & bolts = $48

Total, not including tax = $480.89

Not bad! Having this custom made would have easily cost twice that (at least).

Other notable expenses that make this desk/shelf work:

9" Metal L bookends (these hold all that flat work vertical) = $11.90

Special Switch that Hooks 2 Computers to 1 Display = $31.96

If you think you wanna build this for yourself, holla at me and I'll send you the PDF plans. Shout out to KCool for helping me out during the cutting and assembling process.

I wonder what I'm gonna build next...


Six Years

 As I'm rounding up and finishing the guts to the upcoming book Screw Comics! 4, I had a realization. It's taken me six long years, from idea, to pencil-to-paper, to inks, to scans, to greys and finally to the layouts. Clocking in at nearly 100 pages of new art and comics, Screw 4 is my best book yet. But I felt something was lacking. Sandwiched in the middle of the those six years was the very turbulent, disgusting and disturbing Trump administration, who day after day topped their latest atrocity with a new one. Seriously, every day was new shit to be upset about. For four years. And in those four years I felt my own anger and outrage, as well witnessed those around me get fired up, by the various shenanigans stirred up by this raft-of-floating-shit-of-an-administration as they steadily and reliably ran this country into the ground. And yet, there's not a hint of it in the book. While there's certainly themes within the stories that do reflect our society, there was no hint of any specifics going down. Indeed there was so much to be pissed about by the time you finished a cartoon or comic admonishing one atrocity, two more would have popped up.

I guess I recognized this from the beginning and decided to not even try to tackle any of that. There's plenty of other cartoonists and progressive heads out there that can better articulate how I feel, and in a far more timely manner. Still, there was this empty void. I simply don't want to let my readers think that I wasn't paying attention or that I didn't care. I believe as an artist I have a responsibility to address issues I feel super strongly about, to bring attention to grievances and injustices happening to the groups of people I belong to. So as I was compiling the guts of Screw 4 I simply sat down and described the process of making the book amid the chaos and media frenzy that was under way. It became a 4 page intro to the book, and drawing the panels, each representing a year, was not only fun but also puzzling at the same time, as I try to include the more pertinent occurrences of that year. I also tried to include more obscure/pop references such as the mummified monk, or Bong Joon-ho making his Oscars kiss. And certainly the death of the app Vine is a definitive mark on this upcoming generation, stuff like that, as well as personal milestones, like getting me getting married in 2018. Needless to say there were too many shootings to include. Go figure, America.

So here are the years posted in panel by panel, as I shared them on my Insta. 

And then to top it off I depict the year 2021 as an giant, engrossing Abadox monster. At first I thought this would come off as pessimistic, but a few days in I had nothing to worry about.

A pretty apt description of the year so far, eh?


Snowman Holla

 It's Christmas time and that means listening to Christmas music. Whenever Winter Wonderland comes on the part about the snowman plays I like to do a creepy drunk-uncle type voice "Are you married?" to my wife.

Happy Christmas in Quarantine.


Ink Slingin' 2020


Another year, another Inktober. I got into my little rhythm and knocked out every single day just like last year. But unlike last year I switched up the mediums a bit, mainly with an iPad Pro and the Procreate app. 

So, while some pieces are ink brush and pen to paper, a lot of the following pieces were made digitally. Many of the digital pieces, you will see, feature color. Although I never set out to make fully rendered colored illustrations I found the color just takes certain pieces to a whole new level. Indeed I've always hated digital coloring, I found it tedious and time-consuming. But with the Apple pen and the 12 inch iPad I found it stimulating and colored many pieces in no time at all. So keep scrolling and take a look below at my Inktober 2020 rundown. Unlike my Instagram where I first posted these, I have since scanned and formatted the pieces so they look sharp in their presentation.

In order of how the prompts are listed above.

Blade and Rodent in one, posted one half at a time.

And there you have it, all 31 prompts. 

Look out for my digital based illustration. I'm not switching my whole outfit to digital btw, just adding it to my arsenal as I learn more to make the most of it, like any tool. I hope ya'll are enjoying the holidays and staying away from each other. Stay safe!

Coming soon, Project Mega Desk!